In a recent essay for Artforum, Claire Bishop assesses the trajectory of “research-based art,” which is something like the highbrow version of a conspiracy wall, making a spectacle of an artist’s efforts to gather evidence and stage suggestive connections and counternarratives. In Bishop’s description,
Alone with information
Alone with information
Alone with information
In a recent essay for Artforum, Claire Bishop assesses the trajectory of “research-based art,” which is something like the highbrow version of a conspiracy wall, making a spectacle of an artist’s efforts to gather evidence and stage suggestive connections and counternarratives. In Bishop’s description,