Algorithms sometimes seem to have an ambiguous status in procedural artworks: Are they agents or tools? (Or do they challenge that reductive binary, both-and etc. etc.) In describing Coded, a recent show about computer art at LACMA, art critic Jed Perl
"But these are not discourses that an audience would be invited to participate in as a rational, deliberative party."
Can you think of a practical way to do that? Would there be some sort of threshold or qualification for participating?