One consistent takeaway from Nathan Fielder's work is don't trust anyone who wants to put you on television. You might know that you are going to be exploited for entertainment and even believe you can play it to your advantage, but you remain at a structural disadvantage. You are being recruited to perform in a spectacle whose rules are subject to change before, during, or after the fact.
Scene partners
Scene partners
Scene partners
One consistent takeaway from Nathan Fielder's work is don't trust anyone who wants to put you on television. You might know that you are going to be exploited for entertainment and even believe you can play it to your advantage, but you remain at a structural disadvantage. You are being recruited to perform in a spectacle whose rules are subject to change before, during, or after the fact.